Solstice House
Studio · Residence
A house wrapped around a sunken courtyard, designed as a single gesture: board-formed concrete and oak shaping a slow path of daylight from dawn to dusk.
- Concrete
- Oak
- Light
St. John's, NL · Architecture at Dalhousie
Architecture student with an abstract, artistic eye — shaping light, material, and form into spaces that feel like sculpture you can live in.
Studio · Residence
A house wrapped around a sunken courtyard, designed as a single gesture: board-formed concrete and oak shaping a slow path of daylight from dawn to dusk.
Competition
A demountable waterfront pavilion — a thin steel canopy floating over a timber deck, conceived as an abstract horizon line you can walk beneath.
Studio · Cultural
A coastal gallery cut into the slope, drawing visitors down through top-lit concrete halls toward one framed view of the open sea.
Studio · Mixed-use
A mid-rise block stacking workspace over homes over a market hall, read as legible horizontal layers — the section turned into the elevation.
Adaptive reuse
A disused quarry building reimagined as a community library — new steel and glass inserted lightly within the raw original masonry.
Competition
A low rammed-earth retreat in open farmland, its long sculptural roof shaped to catch wind and rain for a fully off-grid household.
I'm an architecture student at Dalhousie, based in St. John's, Newfoundland — drawn to the abstract, artistic side of building.
I treat each project as a piece of art first: a single strong idea, a form, a play of light — then the discipline to make it stand up and work.
I care most about the quiet things: how daylight crosses a wall through the day, how concrete and timber age, how a space makes you feel before you can explain why.
Good architecture isn't loud. It's the building you keep coming back to.